You are welcome! Additionally. I want to add. Auditory feedback while singing seems to play a more critical role in maintaining accurate pitch compared to speech. When speaking in a communicative context, we don't typically focus on controlling or maintaining precise pitch (as we normally do when singing, right?) So if we happen to miss or distort a note while singing, we tend to ignore the error and continue on regardless, as opposed to speech, if we anticipate stuttering during speech on our own name, the speech execution regulation is much higher, right? So it seems to me that the error-avoidance regulation —regulating speech execution—is much less active during singing. It seems that our readiness to perceive, evaluate, and respond to errors in general, is significantly lower when singing compared to speaking... your thoughts? I think that young children are often taught to continue singing regardless of errors (like wrong pitch, volume etc), and simply fine-tune the pitch in real-time while continue singing as opposed to halting motor execution entirely - which we might do when speaking while anticipating stuttering on our own name. Can you resonate with this?